THE BAND GETS OFF TRACK
Someone has to understand the music well enough to recover the show without creating another problem.
TOURING PLAYBACK
YOUR SHOW HAS ONE SHOT. KEEP THE SHOW MOVING.
YOUR SHOW HAS ONE SHOT. KEEP THE SHOW MOVING.
YOUR SHOW HAS ONE SHOT. KEEP THE SHOW MOVING.
Jasson travels with artists and productions to operate playback, timecode, tracks, lyrics and visual systems from rehearsal through showtime. When something changes, breaks or goes off script, he is already there to solve it.
BRING JASSON ON TOUR →
PLAYBACK
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TIMECODE
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LYRICS
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VISUALS
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TROUBLESHOOTING
WHY DEDICATED PLAYBACK MATTERS
PLAYBACK IS NOT JUST PRESSING PLAY. IT IS RUNNING THE SHOW BEHIND THE SHOW.
PLAYBACK IS NOT JUST PRESSING PLAY. IT IS RUNNING THE SHOW BEHIND THE SHOW.
PLAYBACK IS NOT JUST PRESSING PLAY. IT IS RUNNING THE SHOW BEHIND THE SHOW.
Tracks, click, cues, lyrics, video and timecode can all depend on the playback environment. When the band misses an entrance, an arrangement changes, a machine fails or something stops communicating, somebody has to know what to do next.
A SYSTEM FAILS
Redundant machines mean very little if nobody knows how to diagnose the failure and move the show to the backup environment.
THE SET CHANGES
Arrangements, transitions and cues sometimes change during rehearsal or even during the run.
TOO MANY JOBS
A drummer or keyboard player can technically run playback, but solving playback problems while performing creates unnecessary risk.
BEHIND THE SHOW
ONE ENGINEER. THE LIVE PLAYBACK ENVIRONMENT.
ONE ENGINEER. THE LIVE PLAYBACK ENVIRONMENT.
ONE ENGINEER. THE LIVE PLAYBACK ENVIRONMENT.
The goal is not more technology. The goal is making every system behave like one production.
TRACKS
Playback stems, click and musical elements.
TIMECODE
Synchronization across the production.
LYRICS
ProPresenter integration and timed lyric systems.
VISUALS
Resolume and screen content triggered with the show.
CUES
Musical, production and show communication.
REDUNDANCY
Primary and backup playback environments.
FROM REHEARSAL TO SHOWTIME
JASSON DOES NOT JUST SHOW UP FOR THE SET.
JASSON DOES NOT JUST SHOW UP FOR THE SET.
JASSON DOES NOT JUST SHOW UP FOR THE SET.
He is involved from the first conversation to the final song, making sure everything is ready, running and supported throughout the production.
01
PREP
Understand the set, playback environment, routing, cues, timecode and production requirements.
02
REHEARSAL
Run playback with the band, make corrections, update arrangements and identify failure points before the audience is in the room.
03
SHOW
Operate the playback environment live and stay focused on the musical and technical state of the production.
04
RECOVER
If something changes or fails, troubleshoot in real time and keep the production moving.
BUILT ON BOTH SIDES OF THE STAGE
HE DOES NOT JUST UNDERSTAND PLAYBACK. HE UNDERSTANDS THE MUSIC.
HE DOES NOT JUST UNDERSTAND PLAYBACK. HE UNDERSTANDS THE MUSIC.
HE DOES NOT JUST UNDERSTAND PLAYBACK. HE UNDERSTANDS THE MUSIC.
Jasson spent years touring as a drummer before moving into playback engineering. That means he hears the show like a musician while operating it like an engineer.
MUSICIAN
Understands arrangements, transitions, click, musical structure and what the band is trying to accomplish.
ENGINEER
Understands playback systems, redundancy, routing, synchronization and the technical infrastructure behind the production.
OPERATOR
Makes decisions quickly under pressure without losing sight of what is happening musically on stage.
TOURING EXPERIENCE
BUILT FOR PRODUCTIONS WHERE THE ROOM IS FULL.
BUILT FOR PRODUCTIONS WHERE THE ROOM IS FULL.
BUILT FOR PRODUCTIONS WHERE THE ROOM IS FULL.
From arenas and stadiums to festivals, television and major tours, Jasson has been trusted on some of the biggest stages in the world. He brings real world experience, a global perspective and the ability to perform at the highest level.
15+
YEARS TOURING
30+
COUNTRIES
6+
MAJOR ARTIST CREDITS
ARTISTS
CHARLIE WILSON
TY DOLLA $IGN
NEW EDITION
+ MORE
STAGES & PRODUCTIONS
Stadiums. Arenas. Festivals. Television. Global tours.
Church and worship. Secular and gospel artists.
BRING THE RIGHT PERSON ON THE ROAD
YOUR AUDIENCE SHOULD NEVER KNOW SOMETHING ALMOST WENT WRONG. THAT IS THE JOB.
YOUR AUDIENCE SHOULD NEVER KNOW SOMETHING ALMOST WENT WRONG. THAT IS THE JOB.
YOUR AUDIENCE SHOULD NEVER KNOW SOMETHING ALMOST WENT WRONG. THAT IS THE JOB.
If your production depends on tracks, timecode, lyrics, visuals or synchronized playback, bring someone whose job is to keep that environment running from rehearsal through the final song.
WORK WITH JASSON